Harry Jacobson
Close-up of an orange sunburst hollow-body electric guitar body with pickups and knobs

Harry Jacobson's Guitar Page

Guitarist & Instructor — Philadelphia Area

Senior faculty member of the National Guitar Workshop. Instruction available for students of all levels.

Explore Lessons

Past Work

A career spanning stage, studio, and classroom

Close-up of an electric guitar body with a sunburst finish, black hardware, and pickups, on a light background

Miami · Coconut Grove Scene

Close-up of an electric guitar body with sunburst wood grain finish, white pickguard, and gold hardware

NYC · Jingles & Soundtracks

Close-up of a glossy wooden guitar neck with figured grain, warm amber tones

International Clinics

The Journey

Harry Jacobson began playing guitar in Pittsburgh, PA in 1969. By 1975 he had moved to Miami, Florida, becoming part of the Coconut Grove music scene — playing six nights a week with recording artist Carmen Lundy and sharing the stage with Jaco Pastorious, Patato Valdes, Patti Labelle, Pat Thrall, and Tommy Aldridge.

In 1980 he relocated to New York City, recording television jingles and soundtracks. He joined the National Guitar Workshop faculty in 1987, teaching seminars at campuses across North America — San Rafael, Nashville, Seattle, Toronto, Austin, and Chicago. In 1990 and 1992 he was invited to Reykjavik, Iceland as a guest clinician by Fridrik Karlsson.

Since moving to Philadelphia in 1994 to work at Drexel University, he has continued private teaching and National Guitar Workshop instruction. In 1999 he began performing with Malaco recording artist Keisa Brown, touring Italy, England, Ireland, and the southern United States.

"Instruction available — reach out and start your own journey." — harry@harryj.net

The foundation of any guitarist's journey rests on a deep connection with the instrument itself. From the first awkward chord shapes to the fluid phrasing that emerges over years of practice, the guitar becomes an extension of the player's hands and voice. Understanding its mechanics, its tonal possibilities, and its expressive range transforms a simple wooden box with strings into a vehicle for genuine artistic communication. This relationship, built patiently over countless hours, shapes not just technique but the very way a musician hears and feels music.

Teaching guitar demands more than technical expertise; it requires the ability to translate complex musical ideas into accessible, inspiring lessons. A skilled instructor meets each student where they are, identifying strengths to nurture and obstacles to overcome. The process involves balancing disciplined fundamentals with creative exploration, ensuring that theoretical knowledge serves musical expression rather than stifling it. When a teacher truly listens and adapts, the student gains confidence, curiosity, and the tools to continue growing independently long after formal lessons end.

Live performance remains one of the most transformative experiences available to any guitarist. Stepping onto a stage strips away the safety net of practice rooms and recording takes, demanding presence, adaptability, and genuine connection with an audience. Every gig teaches something new about dynamics, timing, and the subtle interplay between musicians sharing a moment. The energy exchanged between performer and listener cannot be replicated in any other setting, making each show a unique chapter in a player's ongoing development.

The evolution of a musician's style often mirrors the geography of their life. Moving through different cities and scenes exposes a guitarist to new traditions, rhythmic sensibilities, and harmonic vocabularies. A player who absorbs the folk textures of one region, the jazz-inflected language of another, and the raw energy of yet another begins to synthesize something personal and unclassifiable. These migrations, whether physical or musical, enrich the creative palette and prevent the kind of stagnation that comes from staying too comfortable for too long.

Recording brings an entirely different discipline to guitar playing. In the studio, every note carries weight and permanence, demanding precision alongside spontaneity. The microphone captures nuance that a live room might overlook, rewarding thoughtful tone choices and clean articulation. Working with producers, engineers, and other session musicians teaches the value of serving the song rather than showcasing individual chops. These experiences sharpen a guitarist's ear and deepen an appreciation for how the instrument sits within a broader sonic landscape.

The guitar community thrives on shared knowledge passed between generations of players. Workshops and seminars create spaces where enthusiasts at every level gather to exchange ideas, techniques, and inspiration. The collaborative atmosphere of these gatherings often sparks breakthroughs that solitary practice cannot achieve. Learning alongside peers, watching accomplished instructors demonstrate concepts in real time, and engaging in late-night jam sessions all contribute to a sense of belonging within a tradition far larger than any single musician.

A lifelong commitment to the guitar yields rewards that extend well beyond musical accomplishment. The discipline of daily practice cultivates patience and focus. The vulnerability of performance builds character and resilience. The act of teaching deepens understanding while forging meaningful relationships. Through decades of playing, performing, recording, and instructing, the instrument becomes not merely a tool or a hobby but a central thread woven through the entire fabric of a life, continually offering new challenges and fresh discoveries.